Tuesday, September 8, 2009

Bad Business



"Humanity is suicidal cancer, this world will keep on spinning with or without us."

This Rochester hardcore act echoed the sentiments of Bill Hicks and George Carlin quite well on the third track on this three song demo. The lyrical focus was far from the usual "people fucking suck" schtick however. Bad Business were only in existence for a short while, and suffered from 'Student Syndrome' where the band split due to the members scattering to the four winds when they were done with college at RIT. I missed out on their budding youth crew phase, and only caught the last year 1/2 of their career, which was their best period in my opinion.
This tape includes three songs that would end up on their 7". Around the time of this tape's release Bad Business was a real corker live and their honest, hard-to-pin-down approach to hardcore was a welcome change to the traditionally dogmatic (at times) upstate hardcore sound. This demo is less than five minutes long, but is quite the dense batch of jams, with personal lyrics that are just plain honest and not corny. Pretty rare. It does kind of tread into that early 2000's B9 sound a little bit, but unlike most of that mess, BB still sounds good to my ears.

Bad Business Promo 2003 Cassette

Wednesday, August 26, 2009

Waste Management

I happen to live in a town that has one of the best hardcore scenes in the country. Living in such a town, it's pretty easy to get jaded, and pass up seeing really good (and also completely unbearable) bands because you've already seen them several times, and you might have something more important to do. Something like, I don't know, nothing. I've found myself skipping out on gigs more and more these days. In such a saturated scene, one can afford to be choosy, I suppose. One Boston band that I've always gone out of my way to see every single time I can manage it is the mighty Waste Management.
I first caught WM in Jimmy Flynn's basement in Allston about two years ago. They played with Scapegoat, Elder and Breathing Fire, and what a gig it was. This gig was to be the beginning of a new scene in Boston, focused on good hardcore and quality human beings. A new strand of pop punk was dominating at this stage, and more than a few folks weren't feeling the music or the fans. Being a New Scene sympathizer, I can't help but relate. As much as I love Screeching Weasel,I can get my fill of crying, hugging, crying again and getting beer spilled on me when I go visit family in Florida.
Anyway, by the first minute, I was floored by WM's brand of Hardcore. Their sound is a very hearty nod to United Blood era AF and SSD, but with a strong hint of that good Japanese shit, particularly Bastard. It's cool that these guys get that part of what makes breakdowns worthwhile is a good memorable riff. That's what makes most early NY & Boston hardcore for me anyway. Danimal's bass fills are particularly tasty, with a suitably dirty tone. This cassette was handed out at gigs a few months before the debut of their 7". The first five songs are from the record, the rest is a live set from the Flywheel in Easthampton Ma. The live songs are great despite the horrid recording, the stage banter really makes it for me. Also it's awesome hearing those previously mentioned catchy breakdowns emerging from the wall of white noise.

Waste Management Tape

Monday, August 24, 2009

Dead Serios


I'm not going to lie. This is not very good. The main reason that I'm posting this is because it has been a huge in-joke between myself and my pal Mike Tommyrot for about 11 years or so, and probably should be immortalized. I bought this at a Record Theatre, a chain of record stores from my area, most of which are closed now. I purchased a lot of sub par thrash from Record Theatre over the years, and this pretty much takes the cake. Mike and I got a few good giggles out the incredibly dumb song titles, and now that I actually have listened to the songs a few times during the ripping process, SOME of the songs are okay. Okay enough for me to say that I'll take a few halfway decent riffs and some cringeworthy blatantly offensive lyrics over recycled "Coma of Souls" riffs and tepid "Hilariously Metal" party lyrics. Not as off kilter and disturbing as Sockeye, not as deliberately misogynistic and fat as the Mentors and not as belligerent and hard as SOD; Dead Serios were adrift somewhere in the lukewarm waters of that sad Bermuda triangle. However, I must say that the beat boxing on "Butterbean Queen" is nothing short of divine.

Possessed by Polka Cassette

Sunday, August 23, 2009

Revocation - Summon the Spawn Demo



It does my old surly heart good to hear a young, hungry band like Boston's Revocation play this style of Metal with sincerity. Bereft of Irony or silliness, Revocation's style is a technical yet catchy variety of Death/Thrash metal. All of the members are still pretty young, and they have just signed to Relapse after only being around for a couple of years. My most recent old band, Mechannibal played a handful of gigs with them as they were starting out, and every time I saw them, they knocked my dick in the proverbial dirt. If you like later era Death and Watchtower with a touch of modern gutterality (sick word eh?) I highly recommend downloading this demo and picking up their debut LP. Their forthcoming LP "Existence is Futile" drops in late September. Myspace.

Summon the Spawn Demo

Wednesday, August 19, 2009

Violent Fury - Black Mass Offering Demo



So how have I been whiling away my time for the past 5 months or so? Two simple words. Death Metal. Like any other music nerd/fanatic/weirdo, I go through little (or in this case, massive) phases where get obsessed with certain things. Mostly, it's music but I can get equally into other nerdy/pathetic interests like Scooters, late 80's skateboarding or 8-16 bit RPGs. For the past 4 months or so, I have been rediscovering my boyhood passion for brutal, evil metal music of all kinds of stripes. I've been particularly fond of bands that I hated during my boyhood hessiandom because I thought they were talentless. Bands like Organic Infest, Beherit, Sarcofago and Hellhammer. Lately if the drumming is off and the production is lacking, I fucking lap that shit up. I've been pretty much living on the NWN board and I've spent an ungodly amount of money on music. It's less than healthy, but damn if it's satisfying. The obsession with metal and impulse spending is nothing new, I'm afraid.


Here I am at age 14, obviously being caught off guard by an unknown paparazzi. The dumbstruck look upon my then-completely hairless grill is only the result of pure confusion, and not the side effects of huffing freon, like most teen metalheads in upstate NY at that time.
Please, try to ignore the fact that I have a photocopied cover of an early edition of the Dungeons and Dragons players manual taped to my wall. I'd prefer it if you diverted your attention to my siiiiick Altars of Madness T - Shirt. What I wouldn't give for a spare left nut to donate for the cause of acquiring such an attractive garment again. Wow, what a grammar trainwreck.
Anyway, around the time this photo was taken, I was hitting up the then-awesome Shoppingtown mall for all of my adolescent needs. Namely, studded leather gloves and cassettes. I was 14 in 1992, and the previous year I'd put away my collection of ACDC, Metallica and Dead Kennedy's tapes after I'd read some crazy article about a subversive newish sub genre of metal that involved grunting. I'll spare my readership fuzzy memories of me ordering demos out of the back of Metal Maniacs and interviewing Will Rahmer from Mortician, having phone conversations with some guy from Cryptopsy (can't remember who, I hope it was Lord Worm tho) and any other sort hindsight that Metal Inquisition has a better version of. However, I will share with you this fine demo tape of blackened death metal.
The original bassist for this fine band of men was none other than Mr. Jeremy Herr, an energetic older (I think he had just graduated high school) metal guy who introduced me to many excellent bands during my excursions to Shoppingtown. I always see Jeremy once every three years or so, and the guy ages so slowly that it truly weirds me out. It's almost like this friendly early 90's death Metal guy always goes back into his cryogenic (or Cryonic, if you're talking Slayerese) chamber right after running into me on Westcott st., or at the mall(again). (The guy in the Kreator shirt.)
I remember Jeremy excitingly telling me about his new band, Violent Fury back in the day, but I didn't manage to hear them until he had left. I'm not sure how many demos VF put out during their 10 year existence but I know they at least did three, "Unchallenged Hatred", "Circle of Pacts" and this third one "Black Mass Offering". I remember a few people poo-pooing this band years ago, but in terms of death metal I don't really understand why, at least in regards to this tape. The drums sound live and not triggered, the guitar tone is suitably gristly and the vocals are as gutteral as can be. VF began as a purely satanic Death Metal band, but by the time this demo was recorded (In 95) they had picked up a really nice black metal atmosphere complete with a dirgey, sparse instrumental track and lot's of creepy whispering over a fair amount of the demo. There's a strong NYDM feel influencing the core of the music, with a few nods to Deicide and Morbid Angel style riffing as well. All of these nuances combined with the strong creepy occult overtones doesn't feel like a mishmash or forced at all. I bet if these guys were around today, they'd give quite a few newer bands of this Ilk a run for their money. This, by the way was recorded at Penguin studios, the same place that the Earth Crisis "All out War" 7" was recorded.
It's times like these that I pretty much want to put my head through a wall for giving away the two older demos to some metal kids that I went school with in Rochester in the late 90's because I was going through a "Im not into Death Metal any more" phase. Crap. Jeremy went on to form Demonophile with a huge scary blonde viking looking guy, and later formed Excoriation, who just recently called it a day. Excoriation were great no-frills "orthodox" Death Metal (from what I can remember, so were Demonophile) band that was around for the bulk of the 2000's and did a couple of demos. The vocalist, Jerre "Fury" Rauch is currently in the Oswego Black Metal band Infernal Thorn. Former member Pat Odett is in Cursed From Birth, with a guy from Wrathchild America! Weird, I've been listening to '3d' a ton lately. Anyway, here's to these unsung heroes of the Lost Horizon metal scene. Enjoy.

Violent Fury Black Mass Offering

Friday, April 10, 2009

The Hysterics



Coming across this 7" was a good example of an "Ooooh..that record...really? It's good?" kind of record. I remember seeing this redonk looking record, with the Louie-Anderson-as-a-cartoon-child doofy ass cover all the time in Distros and other people's collections in the 90s. I also remember the "Life with Louie" Saturday morning cartoon being weak sauce, but who knows, no accounting for taste. I used to hang out with a guy who, facially, was a spitting image for Louie Anderson but who was quite punk. We called him Uncle Scary.

uncle scary is the third from the left.


Anywayz'll, about 4 months ago, good ol' Erik Sn of Social Napalm records and distro brought up this 7" during a discussion about the Denied 7" from my first post. We got to talking about all the early 90's Tribal War/ABC/Squat or Rot type bands, and when Erik mentioned the Hysterics I drew a blank. Erik, being a bro, sent me the 7" to borrow as well as a killer Lowell Hardcore tape. If only he mentioned the terrible cover art, I would have known straight off the bat who the Hysterics were. If only I knew then what I know now, that this record is actually a decent 90's street punk record.
One big plus about this record is that each side opens with a good intro riff that grabs you by the balls, and gets you pumped for the music to come. The beginning to side A's "Progress" a rertardo-distorto Chuck Berry lick a la
The Subhumans(UK) leads into a great hyper fast uk 82 style song with a good anthemic mid tempo chorus. The next song, "Workaday Life" has some cool licks and a few "Whoa-oh-ohs". Not too shabby. Kicking off side B we have "American Delusions", the intro to which is pretty similar to "Hit the Lights", which is....good. The song has that palm muting to
accentuate the verses with open riffing for the choruses. Kind of reminds of DOA. Actually in a few ways this record reminds me of early north American Hardcore that was still very rooted in punk, like Battallion of Saints and Toxic Reasons. Maybe the Hysterics are a bit lower energy department though. The other two songs I could take or leave really especially "Trendy Asshole"-your staple OMG YOUR NOT REAL PUNX song topic that plagued many a bands 7" during my highschool years (See Bomb Squadron, The Disenchanted and about 900 others)and a lukewarm song about unity. BUT the other three are total bangers, so download them shits.

The Hysterics, "The Kids Love It!" 7"

Sunday, March 29, 2009

I went on vacation!

Sort of. From this blog anyway. I went home to Syracuse a few times though (Godbelow and Ringworm ruled), and basically, a combination of general lethargy, February doldrums and school has caused me to slack off on the ol' IATOH blahg. I can't really sum up my exact feelings about my return. I prefer to have Combat 84 do it for me:


So, back to business. About two months ago my buddy ErikSN, Sent me a tape compiling some of Northern MA's finest hardcore punk groups, as well as another Tribal War classic, the Hysterics 7". I won't be uploading the 7" for a bit, as my stereo set-up isn't vinyl ripper friendly at the moment (if anyone has a spare RCA cable with the ground wire for record players, hit me up). So, it's time to get the sucker up and running again with the 2006 Sargeant Slaughter demo.
The Sarge called it quits over a year ago. Of course, I was late and missed their last set, possibly the only one that didn't fall apart into a big drunken, Lowell-bred mess. I did see their vocalist Aaron upstairs with his feet wrapped in masking tape or some shit after stomping around in the less than savory (at times) basement of the Ratscellar (Rip). Despite the fact that they were a mess live, I always enjoyed the Sarge. It's pretty apparent from this demo and their 7" that these guys love their share of early 80's boston HC, which you know, makes sense. There's some great buildups into fast thrash on the first and fourth songs, and you can tell fucked up feet boy is losing it in the recording booth. The vocals are some quality strangled shouting. Not a "Total Worship" band by any means, but Sargeant Slaughter captures the spirit of early Gang green and Jerry's Kids really well.
Sargeant Slaughter 2006 demo


Thursday, February 26, 2009

Earth Died Screaming

The first thing that comes to mind when hearing this band's name is that they are probably some shitty early 2000's metalcore act. Not so, my friend. EDS got their name from a Tom Waits jam and were absolutely crushing Hardcore/Crust. EDS was the continuation of several different Boston bands, Classaction, Fallen Short and Disaster Strikes. This demo displays a lot of growth in the songwriting from these four guys. Considerably heavier than all of the aforementioned bands, on this demo EDS combines a very stout low end with just a hint of melody and an emphasis on heavy bluesy "stoner" riffs for their slow parts seguing into million mile an hour thrash parts. Instead of that generic D-beat, Alex plays a much tighter almost speed metal style fast beat, and it sounds awesome. Certain aspects of their songwriting remind me of G-ANX for some reason, I'm not sure why. Also a lot of 90's noisy hardcore and an earlier Neurosis style is in the mix tempering all the fast hardcore with some quality dirgey passages. Mike Read's death metal style vocals sound awesome alongside Ross's cranky screaming. All in all, the musical stylings on this tape are great and were pretty innovative for the time.

These dudes went on to form Ringers, Refuseniks, Mechannibal, Rev. Grundar and the Unholy Trinity, Positive Reinforcement and a few others.


EDS DEMO


Sunday, February 22, 2009

The Funeral Demo (-1)


For the time that they existed. The Funeral were my favorite hardcore band from Syracuse. This was the first show I witnessed them at:
Chuck Hickey described them to me as "Left For Dead meets Crowbar" and as often as those blah blah plus blah blah Mrr style band descriptors do little justice to describe a band, Chuck's made perfect sense, at least in regards to this demo. The Funeral, by the time they formed (about less than a year before this demo was released)had a lot of experience playing in other bands, and went at it like a well oiled machine. The remnants of Spark Lights the Friction, Darker Day Tomorrow, Beta Minus Mechanic formed like an ugly Jenga tower, with an emphasis on a more straight forward aggressive approach. With all of the emphasis on speed metal fused hardcore nowadays, I think that The Funeral were ahead of their time in a sense. I bet people into bands like Iron Age, Bitter End, etc. would love this. Equally heavy and fast, with well thought out leftist lyrics. If anyone has the fourth track to this, please send it my way. Ryan Hex, the vocalist only had three of the tracks, and my cdr is fucked.

The Funeral Demo

Thursday, February 19, 2009

Catharsis

Here's a band that I loved initially, then got very turned off to over time. If you were involved in hardcore circa 1999 - 2004, you may have heard of, or been aware of the crimethinc. movement. Their Neo Situationist manifesto, Days of War, Nights of Love inspired countless hygienically impaired individuals to try their hand at living "off the grid" so to speak, and hop trains, steal food (or stuff they didn't need) and generally be as parasitic as possible at the expense of society. Not that I'm the biggest fan of society either, but I still am a part of it, and I'm kind of glad this hippie movement under the guise of hardcore has been on the decline in the past five years or so, and morphed into that godawful "folk punk" scene, where it belongs. Just think of me as the sellout bum from "They Live"
Long before they were encouraging everyone to "feel beautiful", during their creepy Manson Clan phase, I saw a very young angry Catharsis open for Integrity when I was living in Rochester NY during 1997. This show easily ranks somewhere in my top 10 of most terrifying gigs ever attended. The bill was Integrity, Troycore bands Burning Human and Dying Breed, Catharsis and a bunch of local openers that I don't remember. About 20+ Nazi skinheads showed up. My friend John (one of the guys who went to London with me) and I were tabling for Anti Racist Action, so we were pretty much pissing our pants. Catharsis were really impressive. At this time they were pretty "buddy buddy" with Integrity, and it shows when you listen to these early recordings. I remember Brian (the singer) being pretty pissed, and his between song banter being rather sharp and cynical ("If it were still 1989 I'd be talking about that unity bullshit".....) The music floored me. Along with Left for Dead, it was something that came out of SxE hardcore during that time that was actually very friendly to my ears. Shredding, bordering on speed metal music with throaty, shouted vocals. Almost like an even more metalized Integrity. Catharsis went over like a Lead balloon. When Integrity went on, all the Nazi Skins marched out, flanking both sides of the pit. Complete bedlam ensued. I remember fights breaking out between the nazis and everyone else just about every song. There was a really huge black guy in windpants wrecking people, and the boneheads wouldn't go near him. Awesome. I also remember Dwid saying something over the Mic to the effect of "I want them to stay, I like the chaos" in regards to the promoter trying to kick out the nazis. Jesus. About a month later two nazi's that were causing trouble at the Integrity gig showed up at a Sick of it All show in Buffalo and got fucked up royally. Great times.
Anyhow, these are Catharsis' earliest recordings compiled on one cd. the music is as I described above, bleak, fast metal with a hardcore heart,voice and lyrical focus. Their earliest lyrics were incredibly dark and chock full of biblical "fire and brimstone" metaphors. This was pretty common with a lot of vegan SxE bands, but Catharsis applied these metaphors to the evils of modern capitalism and industrialized society, and most of the time they worked pretty well. There are some dated 90's chug-core trappings here and there as well a few cheesy spoken moments but over all this is a rager. Confront and Breakdown covers too!
Catharsis s/t Cd


Monday, February 16, 2009

Peer Pressure


Well, here's a bit of a weird one. In the summer of 99, I hopped on a plane to London. However, when I got there, I did NOT die, nor did book myself in at the YWCA. What I did do was spend about roughly a month in complete alcoholic abandon. I had just turned 21, was very punk, and in retrospect, about as smart as a little debbie snack. I was very much enamored with the image and idea of being a squatter. I loved bands like Filth and Destroy (actually, I still do)and I wanted nothing more than to "live the chaos" so to speak. I crossed the atlantic with a well rounded upstate delegation. Jim from Utica, Nick from Potsdam and John from Rochester. I had a girlfriend and set plans to relocate to Boston (I had travelled cross country the year before and chosen Boston as my new home)upon my return. I only stayed for a month. The others stayed much, much longer.
The first week that we were there was the most hectic and fucked up. Nick and Jim went a week before John and I, and had already broken into a building and turned it into a squat by the time we got there. It was a pretty weird scene, and something that I wasn't completely prepared for. The street was located in a neighborhood in South London called "Elephant & Castle", that was pretty dreary and run down. The entire street was blockhouses that were all squatted by people from all over Europe. Nobody was remotely punk. The guy who lived across the street was pretty bad news. He went by the name of "Boxer" and was a total wind-up artist. We'd go over to his squat and smoke hash and listen to his stories of torturing people who owed him money, and kicking the shit out of people who had crossed him. It freaked me out, but in retrospect I realize that he was probably just trying to intimidate us. Most people that pull shit like that don't go around bragging about it. He had a couple of friends who were pretty much straight out of "Snatch", big time east end villain vibe. Boxer kept telling us how much money we could get for our passports, and he had a little lackey, this little Oliver twist looking motherfucker that would follow us all over London. After a very brief period of time, shit was starting to get weird. The only other punk we knew was a a real cartoon, Sid Vicious glue head kid from Manchester known as "Skank". Skank was a total pain in the ass, and pretty much every terrible stereotype about that kind of punk rocker you can imagine. Fucking annoying. Around the time the Hashish haze of paranoia from across the street was really starting to bug us out, Skank got mad at us for smoking a bunch of his hash and attacked Jim, who smacked him. Skank ran downstairs and threw a rock through our window, so we threw his small pile of clothes and other belongings out of the window into the street. Boxer came out, poured lighter fluid on them and set them on fire. We took this as an omen, and got the fuck out of dodge that night. We spent the night in an already squatted apartment that had recently been evicted and shuttered. We decided we were fucked, as this new squat had signs warning of guard dogs and security posted everywhere outside. As luck would have it, we went to Camden town (an area of london packed with street vendors) to get a free Krishna meal and met an older punk couple who took us in for a few days. Mark and Rose were great. Rose was American (from Minneapolis, if memory serves) and Mark was extremely British, but had lived on the lower east side from about 88 to 92. He had a lot of awesome stories about hanging out with Yuppicide, C Squat, Nausea, SFA, Citizens Arrest, Thompkins square park, that whole scene. I was pumped to meet someone who had been in the thick of that particular time and place, being completely nutso for all the aforementioned bands. At some point he mentioned that he was singing for a band called Peer Pressure.
Okay. Now what's weird is, I don't have any recollection of getting this tape from him. I'm about 100% certain that I didn't. Despite the fact that I was drunk and/or high the entire time that I was there (8% hard cider in two liter soda bottles. Legal street drinking. Speed made from floor cleaner. England was trying to kill me.) my mind was pretty much a steel trap in regards to any music I acquired over there at the time, which wasn't much. My remaining 3 brain cells were very focused on lording over my two Restarts 7"s, a Forward, "While you Alive" cd and my polish Oi Polloi tape.
Sadly. I think the way I got the Peer Pressure demo was from a friend who is no longer with us. My friend Andy from Cape Cod who passed away about four years ago mentioned hanging out with Peer Pressures bassist, this french punk, who was in Boston right before I went to London. Andy therefore is the only way I could have obtained this artifact. Sadly, along with a few patches he screened, and this picture, this demo is all I have to remember the guy by.

Andy. RIP.



Even weirder is the fact that I hadn't listened to this tape until I ripped it. I'm not sure why, I've had it kicking around forever (I remember first noticing it with my tapes when I moved back to Syracuse in 2003 or so) but when scratching at my skull for ideas of interesting stuff to post related to my life, this thing popped up, and it's pretty damn good.

Overall this is above average cider, pogo punk kind of stuff with the distortion and messiness of early Chaos Uk or Disorder, combined with the ecstacy hating and anthemic qualities of later Chaos Uk or Disorder. Hehe. The first song is pretty out of tune. It doesn't matter. Just imagine if the Inmates were actually British. There's also a song in Spanish, which switches things up nicely. Last I knew, Mark was in a Band called Suburban Rebels with a bunch of punks from Spain. I saw them play at another Punx picnic in Leeds two years later. Man, those Spanish chaos punks hate them some Americans.

One last thing, when I flipped this tape over, I noticed this sticker on the back:


Saturday, February 14, 2009

Godbelow

Godbelow was a Syracuse band that existed from about 1998 until 2002. Most of Godbelow's members played in Blood Runs Black, who I rapped about in this post. After Chris Weichmann parted ways with Earth Crisis in the late 90's, he started Godbelow with his old BRB bandmates "Slider" and Danny Johnson. The result was one of the heaviest, brooding and seething sounds to rise from the Syracuse hardcore/metal scene. Like their predecessors, Godbelow was the the Bridge between Syracuse HC and Syracuse Metal, except now there was a little bit more violence in the mix at shows. Times were getting meaner in that town, and this music reflected the desperation and nagging air of hopelessness that suffocated upstate NY. Seasonal Affectional Disorder is a motherfucker.
Where BRB's song writing was choppy and frenetic, Godbelow's sound was more steadfast, with more traditional midpaced to slow bluesy metal riffing and raspy steady shouting over the instruments. The vocals are some of the best of this style that I've heard. Often while nerding out with my friends back home, Danny has popped up as a unanimous choice for best 315 hardcore vocalist on more than one occasion. Beginning with the lurching, John Christ tinged instrumental "Black Dogs Head" into the crusher "Kill Devil Hills" Godbelow do a very good job of fusing the sound of metal bands that came from hardcore of that era (especially Damnation AD) and the "power groove" metal sound of that time. The high end guitar harmonies at the beginning of "Kill Devil hills" could have easily belonged to any number of post hardcore acts or even Tool, but the crushing vibe that follows is 100% "getting your ass handed to you by a guy in an all out war jersey" style shit, in the best way possible. The almost screamo style off-time drum patterns accentuating the chorus to "Enlist the Aide" offset some of the best hooks laid down on tape for this style. These guys were kings at balancing a "pro gear, pro tude" approach with something a lot more real than what your average headbangers ball band of the day was cranking out. Seriously, why would I ever need to listen to Pantera when I have this record and their incredible full length?
After Godbelow's demise Slider and Weichmann (and maybe another member or two, I don't recall) started a band called Brand New Sin that was a lot more commercially leaning, and therefore, not my bag at all. Danny sang for the Last Season and Unholy (With JD from the Promise and Another Victim) and both bands were great. Unholy continues without Danny, but are still darn good.
Godbelow is playing a reunion at the Lost Horizon on March 7th, and I'm going to make it my beezwax to be there. Ringworm is also on the bill. Fuck.
Godbelow 7"

Tuesday, February 10, 2009

Nauseating Self Promotion (Like Rats)


Like many other nerds that spend hours of their valuable time ripping and uploading cassettes and records to the internet, I also spend a considerable amount of time playing in a band, practicing, recording, playing basements, the usual. If you have ever said to yourself "Hey, I wonder if that guy has a band, and if so, do they totally rage?" Here's your answer. Judge for yourself.
Tread Lightly (Dem0)
Bolt Quiver(Demo)
Chomping at the Bit(New 7")
Unwarranted(Demo Version)

We're currently waiting on the test presses for the 7", which was recorded over the summer. Keep your eyes peeled for it in distros if you like what you hear.

Monday, February 9, 2009

Want List

There's a few gems out there that I'm trying to hunt down to post on here. If anybody can help me out, I'll send you something nice.
Flakjacket - Demo
Bonejack/Infusion - Demo
Shodokan(Rochester) - Demo
Ricochet - Demo
Guernica - 7"
Disclaimer - 10 Song Demo
Dead Image - Anything
Envy(Buffalo) - Demo
The Miserables(Albany) - Anything
The Disenchanted - Demo
ThanXXX

Sunday, February 8, 2009

Outatime


Well you learn something new everyday. For instance, just now by perusing the liner notes of this Outatime CD-R(Notatape), I learned that the ever prolific Mike Ex (Mikey did time in Attitude, Outbreak, Righteous Jams, Daggers Rule, Case Closed, Hit the Lights, Black SS and maybe a couple more) played everything on this. Huh, I'll be damned, I lived with the guy and was in a band with him, and I don't think I knew that. Anyway, this band was active on and off as a side project around 2004 and 2005, and played a reunion about a year ago. Outatime was a band that played that great early 80's Hc tempered with youth crew style that was pretty popular up until a few years ago, along the lines of Cut the Shit, Tear it Up, The Breaks, etc. In my opinion, Outatime did it just as well, but were just a one-off for fun kind of deal, so this is all that they recorded. Also, there were lots of references to Back to the Future in the lyrics. Not in a gimmicky way either, but not unlike the
man who penned them viewed the ways of Marty McFly as the true path, an ethos for being. Outatime had several completely different lineups, all with Mikey singing, one of my favorites included two Morrissey haters that were informed (By mister Ex) after a certain number ended, that they had just covered "London", a Smiths song that was taught to them as an Outatime original. This was at a show, in front of tens of people. That cover is the bonus track on this, by the way, so be sure to skip over it if you don't want to be tricked into liking the Smiths. This demo was a part of that big "Syracuse Renaissance" that I was talking about in the
AWOL Post.

Outatime Pinheads E.P.